The worship and music mission is to lead the congregation in the worship of God.
Bethesda on the Bay Adult Choir: Our Adult Choir rehearses on Thursdays at 7:30 PM in the sanctuary. The choir participates in the 11:00 AM Sunday service. We are fortunate to have the support and contribution of musicians from nearby Oberlin College Conservatory. We enthusiastically welcome new members!
Through our ministry of music at Bethesda on the Bay, we continue to offer a variety of concerts featuring organ, piano, other instruments, choirs and soloists – all as an outreach to the community.
Organist – Gerald Crawford
Our Oberlin Students:
From Left to Right: Katherine Krebs, Shawn Roth, Dusan Grubisic, and Abby Orr.
Tenor, Dusan Grubisic is from Serbia. He is 24 years old and a voice major(junior) at the Oberlin Conservatory in the studio of Salvatore Champagne. Dusan started singing when he was 9 years old. In 2016, he won first place at NATS voice competition in Chicago among very competitive singers. Besides singing, his favorite activities are painting, working out and spending quality time with friends and good books. In free time, he enjoys traveling, meeting new cultures and trying new cuisines. He loves singing and music because he strongly believes that his voice can spread positive energy, love and can heal people.
Shawn Roth is beyond thrilled to finally hold the bass choral scholar position at Bethesda, after substituting frequently last year. A native of Johnstown, PA, he is a second year vocal performance major at Oberlin conservatory, and studies under Professor Salvatore Champagne. Shawn will be performing the role of Bartolo in Mozart’s Le Nozze di Figaro this fall at Oberlin. He hopes to one day work professionally as a singer for churches and opera houses alike. He enjoys skiing, writing, and plays several instruments including the string bass and harpsichord.
Katherine, alto is a third year in the five year program at Oberlin College and Conservatory, studying Vocal Performance and Psychology. Her home is in Skaneateles, New York, a beautiful part of the Finger Lakes. She most recently performed as Bellina in Le astuzie femminili with the Oberlin in Italy program. She was also seen as Romilda in Serse at Skidmore College and Fredrika in A Little Night Music with the Syracuse Opera. She is very excited to be singing with the choir at Bethesda on the Bay Lutheran Church!
Soprano, Abby is a junior vocal performance major at Oberlin Conservatory. This past summer she was Hodel in the musical Fiddler on the Roof, and Madame Aubert in the musical Titanic.Â Previous roles include Joanne from Godspell, Amazing Mazie in Suessical and Lightening from Songs for Liquid Days by Philip Glass. Abby has been a part of many prestigious volunteer organizations such as the National Charity League, MHS Cotillion and the Red Cross Association. Abby is so excited to be a soprano this year at Bethesda on the Bay Lutheran Church!
St. Olaf and Me – By Music Director, Eric Richardson
We bundled up as we left the hotel, making our way to the Minneapolis Convention Center. Three other Cleveland-area choral directors and myself were unpacked and frothing at the ears in anticipation of a week at the American Choral Directors Association’s biannual conference. There were 11,000 other participants from fifty states and 39
countries, coming together in one, ultra-sounding, heart-melting montage of magical music. Fifty-six Ensembles, fifty-four interest sessions, and twenty-three music reading sessions. This was big.
As Chair of the Music and Worship Committee for the Central Division of the country, I was thankful that I was able to do my “duties” early in the week: a Presentation of Sacred Music for hundreds of my colleagues which was smilingly well-received, and later I served as a panelist on a discussion on Mentoring. ACDA has been increasingly active in Mentoring and I was able to share my 2014 Pilot Program for Ohio. I take great pride in sharing the name “Bethesda on the Bay” in all of these efforts.
We heard tributes to both the late Robert Shaw and Weston Noble, and we enjoyed the four hours of concerts each day. That’s a lot of listening! We also participated in two huge worship services, including singing hymns with a thousand other choral directors at the profoundly beautiful Central Lutheran Church. At the first service, an impossibly contemporary setting of triplets by the immense pipe organ flickered and grew into the 32’ Bombarde’s thematic introduction of JOYFUL, JOYFUL WE ADORE THEE as the congregation and The National Lutheran Choir burst forth into a most heavenly chorus! Non-stop goose bumps!
There were so many highlights, but let me mention a few personal favorites: I had a brief, but most engaging conversation with 90 year-old Alice Parker, collaborator with Robert Shaw for decades. I met Eric Whitacre and found him to be as gracious as he is brilliant as one of today’s most sought-after composers. Arranger/Composer Z. Randall Stroope’s Oklahoma State Chorale’s depiction of the Crucifixion via a Hebrew-texted chorale work put me into tears. The Atlanta Master Chorale was mesmerizing, the Inner Mongolian Children’s Choir stunning, and the University of Louisville’s Cardinal Singers so captivating it left me shaking my head in awe. This was like going into an ice cream store with unending yummy choices!
But above all was my two-hour experience with the St. Olaf choirs and orchestra, who recreated their famous Christmas Festival for us. Five hundred undergraduate students in five choirs and full orchestra with five conductors, pouring forth THE most angelic singing perhaps ever heard. It included three World Premiers, an audience-participating O COME ALL YE FAITHFUL, many a capella selections, and their traditional concert-ending BEAUTIFUL SAVIOUR. Five callbacks answered the 8-10 minutes of applause from a typically stingy group of listeners. The 11th Century King of Norway would’ve been proud.
I want to thank the church and especially the Adult Choir for their support of my attendance at the ACDA National Conference. I love to learn and to grow as a musician and servant of God. It is through your help I am able to do this and, I hope, ultimately share my growth with you.
In His name,